See more ideas about art, process art, artist. WOW! and is made of bronze, nickel, and chrome. Artwork page for ‘Quartered Meteor’, Lynda Benglis, 1969, cast 1975 on display at Tate Liverpool. Benglis is currently featured in a solo show at the National Gallery of Art in Washington, D.C., spanning her oeuvre from 1966 to 2003 exemplified by 33 works by the artist. This work was originally made by pouring polyurethane foam into the corner of a gallery. See more ideas about sculpture art, sculpture installation, art. Benglis is the recipient of a Guggenheim Fellowship and two National Endowment for the Arts grants, among other commendations. In 1964, Benglis moved to New York, where she studied painting at the Brooklyn Museum Art School. Benglis admired the gestural style o When I saw it in 1974, I was living in Halifax, Nova Scotia, Canada, where art magazines were the primary source of current info. This title is also available on Surveying the First Decade: Volume 1. See more ideas about process art, sculpture, sculpture installation. Photograph: Panos Kokkinias These days, Benglis has been thinking about what might be her ‘gift or legacy to other artists’. Lynda Benglis: not a material girl The artist on the 1970s feminist movement, unsolicited opportunities and that legendary Artforum advert Lynda Benglis was born in Lake Charles, Louisiana in 1941. Over the past forty years, Lynda Benglis has developed a distinctive and influential sculptural language. Lynda Benglis' 1986 minimalist sculpture, "Minerva," measures 55 x 38 x 8 ins. Lynda Benglis is a Post-Minimalist, feminist artist, and pioneer of contemporary art. B orn in Lake Charles, Louisiana, but working out of New York City all her professional life, Lynda Benglis is an internationally renowned sculptor, famous for her innovations in materials and artistic process during the 1960s and 1970s. She moved to New York at the apex of Minimalism in the 1960s and, from then, her work has engaged with both the physicality and process of material-based practices while simultaneously confronting femininity in the context of a male-dominated art world. Lynda Benglis (b. Her unique poured latex floor pieces redefined the predominantly male world of sculpture and abstraction. For RISD, Judith Tannenbaum, Richard Brown Baker Curator of Contemporary Art, will reunite the five-part installation Phantom and add ceramics from the 1990s and several other more recent works. Asked to summarize her artistic ambitions in the 1960s, Lynda Benglis replied, “I wasn’t breaking away from painting but trying to redefine what it was.”1 She was raised in Louisiana and moved to New York in 1964, where she trained as a painter in the Abstract Expressionist vein. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. See more ideas about Sculptures, Visual artist, Artist. Lynda Benglis (b. She earned a BFA in 1964 from Newcomb College in New Orleans, which was then the women's college of Tulane University. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. She is a pioneer of materials like poured latex, phosphorescent foam, stretched paper, and cut up ceramic. ... Lynda Benglis was born in Louisiana and now resides in New York and Santa Fe. 1941) is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. American, born 1941. Lynda Benglis Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism, Process Art, Minimalism, Feminist art, geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. Dec 12, 2017 - Explore Kelly S. Murray | Artist & Art's board "lynda benglis", followed by 133 people on Pinterest. Benglis is currently featured in a solo show at the National Gallery of Art in Washington, D.C., spanning her oeuvre from 1966 to 2003 exemplified by 33 works by the artist. A childhood photograph of Lynda Benglis in Greece wearing a fustanella — the traditional male uniform connected with the War of Greek Independence within the Ottoman Empire in the nineteenth century — stands alone in the lobby of the second floor of the Stathatos Mansion, the neoclassical wing of the Museum of Cycladic Art. Find more works of this artist at Wikiart.org – best visual art database. See more ideas about sculpture art, sculpture, art. Please be advised that due to recent global concerns, there may be fulfillment delays during the post-sale process. Apr 12, 2017 - One of the most prolific feminist artists tells us what’s changed in the art world over the last 50 years – challenging ideas, money and male domination 1941 in Lake Charles/Louisiana, lives in New York, Santa Fe and Ahmedabad/India) studied at Newcomb College. A pioneer of free-form sculpture, she radically pushed the medium in the late 1960s with her metaphorical and biomorphic abstract works. Benglis describes her interest in the Indian landscape and culture and why she enjoys spending time with the Sarabhai family. Dec 25, 2015 - Explore August Davis's board "Lynda Benglis", followed by 730 people on Pinterest. Nov 28, 2019 - Explore Leonard Zannini's board "Lynda Benglis", followed by 199 people on Pinterest. Filmed in 2011, artist Lynda Benglis gives a tour of the family home of Anand Sarabhai in Ahmedabad, India, a city she has been visiting and working in for over thirty years. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Jan 9, 2014 - Explore arslog's board "Lynda Benglis", followed by 1087 people on Pinterest. Lynda Benglis has become known for her biomorphic shapes and forms, and unusual pairings of materials with the subject of sexual politics in the course of her 50 years as an artist. Today, Benglis’ works are found in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, and the Los Angeles County Museum of Art, among others. Benglis rose to prominence during the 1960s and ’70s, a time when her singular practice both intersected with and transcended the categories of post-Minimalism and feminist art. Sep 5, 2016 - Lynda Benglis is an American sculptor and visual artist, considered as a pioneer of a form of abstraction in which each work is the result of materials in action, creating sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body. Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. — Susan Krane, "Introduction", Lynda Benglis: Dual Natures (Atlanta: High Museum of Art, 1991) This title was in the original Castelli-Sonnabend video art collection. A 450-page fully illustrated hardcover monograph, produced by Les Presses du Réel, accompanies the exhibition. Home/ Artists/ Feminist Art / Lynda Benglis/ All works. Outrageous and provocative, Benglis challenged popular taste and definitions of art. Lynda Benglis, The Graces, 2003–05, installation view, Museum of Cycladic Art, Athens, 2019, commissioned by NEON. The bottom and two flat sides are effectively a cast of the floor and walls, while the slumps on the front result from the unpredictable behaviour of waves of slowly solidifying foam. Lynda Benglis. Asked to summarize her artistic ambitions in the 1960s, Lynda Benglis replied, “I wasn’t breaking away from painting but trying to redefine what it was.” She was raised in Louisiana and moved to New York in 1964, where she trained as a painter in the Abstract Expressionist vein. Lynda Benglis was born in 1941, a remarkable figure of American Feminist Art and Post-Minimalism. Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism, Process Art, Minimalism, Feminist art, geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. 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