2020, Lockdown Portrait 2 Wearing looks at herself from the outside, as an object. Peeling back the mask … Lockdown Portrait. 6 Questions: Clara Hastrup, Visual Artist January 3, 2021. “The shows must go on – what not to miss during Frieze week this year.” Apollo Magazine (October 8, 2020) [ill.] [online] Jones, Jonathan. 36 1/4 x 15 x 11 inches In one of her strangest oil paintings she lies on the studio floor, her head just off the ground, her brown eyes staring icily. Painting her self-portrait is Wearing’s lockdown project. Conceived over the course of the COVID-19 pandemic, the exhibition focuses mainly on works made during the lockdown. exhibition view: Maureen Paley, London • Wearing’s Sacha and Mum (1996) is in 60 Years at Tate Britain until spring 2020 Appeared in The Art Newspaper , 319 January 2020 More Interview Topics Artist interview 2020, Lockdown Portrait 4 Signs, also known as Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say, was done between 1992 and 1993.To create it, Gillian confronted a number of strangers and individuals and asked them to write their opinions and thoughts on blank cards/signs before photographing the … Gillian Wearing, 'All I Ever Wanted Was Love (1992–93).' Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize.In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. Gillian Wearing, Lockdown Portrait, 2020, watercolour on paper, 39.5 x 31.5 cm. To see her entire family there responsibly wearing masks and celebrating her was a gift to behold. The results are bolder, more acute. Gillian Wearing RA 57 - LOCKDOWN PORTRAIT. Me as Dürer framed c-type print 152.4 x 114.5 cm 2018. This time there’s no kidding, just, as Francis Bacon used to say, “the brutality of fact”. Family and friends of Bessie Vadakin Burgess gathered in North Bennington to celebrate her 100th birthday on Friday, October 30, 2020. framed: 39.5 x 31.5 x 2.6 cm Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. framed watercolour on paper “Gillian Wearing's lockdown self-portraits peel back the mask and show the truth.” Wearing is looking away from the onlooker, into her own enigmatic space. Turner Prize-winning artist Gillian Wearing is best known for her photographic and video works exploring the projection and protection of individual identity both in herself and others. Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize.In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. Jul 15, 2014 - Explore Scott Chainey's board "Gillian Wearing" on Pinterest. 2020 “Gillian Wearing – Lockdown | Maureen Paley.” Artangled (November 1, 2020) [ill.] [online] Marks, Thomas, et al. framed watercolour on paper 1963) _Signs that say what you want them to say and not Signs that say what someone else wants you to say (Everything is connected in life the point is to know it and to understand it. The bracket style race featured a few qualifying racers at a time, for three lap heats. So how did she paint herself? (125.7 x 81cm.) View Gillian Wearing’s 115 artworks on artnet. 56 x 14 x 10 cm It is as if she is still getting used to portraying herself and can’t quite possess her own image. You might also like. Wearing starts from a scepticism about the very nature of the self. Maureen Paley, LondonWearing has abandoned the video art that won her the Turner prize and taken up watercolours and oils to create a soul-baring investigation of the human condition, Last modified on Wed 16 Sep 2020 21.26 BST. It’s true Wearing has skill. framed watercolour on paper In Lockdown Portrait 2, she rests her head on pillows and looks hollowed out, as if exhausted by crying – but the lovely design on her dress, a field of little brown circles, distracts from the emotional intensity. She comes before us naked, as she might have looked in her first year at art school: not a famous conceptual artist, just a sincere nobody who likes to draw and paint. Lockdown It is hard to believe they are all the same person. The mask has fascinated and preoccupied Gillian Wearing in her artistic practice and takes on an even greater significance in her sculpture Mask Masked, 2020, especially now when the proliferation of masks has reshaped our collective identity, day-to-day appearance and reality. Like any truly honest and brave self-portrait painter, Wearing sees someone else every time she looks in the mirror or takes a selfie. (125.7 x 81cm.) framed: 39.5 x 31.5 x 2.6 cm, Lockdown Portrait 5 2020. 40.5 x 30.5 cm Wearing studies herself, her image – the long dark hair that hasn’t changed much since she made a youthful video of herself Dancing in Peckham – and wonders if this the real her, or just another mask. Linder 47 - SUPERAUTOMATISM III It is like all the masked faces you pass at stations or in the supermarket, but the eyes are empty holes, and underneath the face covering is a second mask, lifelike and made of smooth latex. 22 x 5 1/2 x 3 7/8 inches GILLIAN JONES — THE BERKSHIRE EAGLE A car parade rolls up Cold Spring Road in Williamstown following 2020 graduation exercises at Mount Greylock Regional School on June 6. 12 1/4 x 9 1/8 inches Gillian Wearing is a contemporary British artist whose conceptually driven photographs and videos investigate power dynamics and voyeurism in everyday life. 2020, Lockdown Portrait 3 framed watercolour on paper ... 2020. by Gillian Jones, Bennington Banner. It is a lot harder to remove the mask that is your face. Linder 45 - SUPERAUTOMATISM V More details. The mask has fascinated and preoccupied Gillian Wearing in her artistic practice and takes on an even greater significance in her sculpture Mask Masked, 2020, especially now when the proliferation of masks has reshaped our collective identity, day-to-day appearance and reality. Instead, images of a recognisable, public face – Gillian Wearing CBE – alternate throughout with brutally collapsed, private-seeming revelations. The outer mask is easy to remove: you take it off and feel like yourself again. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. It’s like any masked face you come across in train stations or at the supermarket, but the eyes are empty holes, and under the face covering is a second mask, realistic and made of smooth latex. Gillian Wearing, Untitled (lockdown portrait) (2020). Then, as she builds up confidence in her ability to do a self-portrait, she starts using oil paints. Gillian Wearing is a contemporary British artist whose conceptually driven photographs and videos investigate power dynamics and voyeurism in everyday life. 30.3 x 22.8 cm Gillian Wearing – Self-Portrait at 17 Years Old, 2003 Signs. The outer mask is easy to remove: you take it off and feel like yourself again. framed: 39.5 x 31.5 x 2.6 cm Curator Daniel Hermann introduces the Gillian Wearing exhibition at the Whitechapel Gallery from 28 March - 17 June 2012. 31 x 23 cm She could almost be dead. A face that greets you as you enter Wearing’s exhibition Lockdown. The show starts with a poetically bleak homage to the early 20th-century painter Gwen John in which Wearing sits brooding wretchedly in a long red dress. It is like all the masked faces you pass at stations or in the supermarket, but the eyes are empty holes, and underneath the face covering is a second mask, lifelike and made of smooth latex. 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