It’s now exactly 40 years since you published the famous image of yourself photographed with the double dildo. ", "start recording", and "do you wish to direct me?" Her work is the subject of a forthcoming exhibition at the National Gallery of Art, Washington, D.C. (2020-2021) and the Nasher Sculpture Center, Dallas (2021). Bronze, zinc, copper, aluminum, wire - National Museum of Women in the Arts, Content compiled and written by Anna Souter, Edited and revised, with Summary and Accomplishments added by Ruth Epstein. Description: Lynda Benglis Lagniappe I 1978 cast pigmented paper, acrylic, sparkles, polypropylene 52 h × 26 w × 11 d in (132 × 66 × 28 cm) Signed, titled and dated to verso 'Lynda Benglis 1978 Proof Lagniappe Series'. The theme of auto-eroticism is palpable. View Lynda Benglis’s 345 artworks on artnet. Lynda Benglis is recognised for the sculptures made of poured latex and foam she began making in the late 1960s. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. The work (it’s been called an “advertisement,” but it is actually an artwork) was situated within the context of Artforum magazine, which was running an article on your work by Robert Pincus written in that month’s issue. On “Last Day In,” Kodak Black addresses Trump’s presidential pardon. Benglis’s work created a perfectly timed retort to the male dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. Lynda Benglis (b. Lynda Benglisis an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. LYNDA BENGLIS: EARLY WORK 1967–1979 October 8–December 3, 2020. Lynda Benglis achieved early and lasting notoriety when she appeared in the November 1974 edition of Artforum magazine wearing nothing but a pair of cat’s eye sunglasses and gripping an enormous dildo. Lynda Benglis [Photograph by Arthur Gordon], Artforum Advertisement: [Artforum Piece], 1974, Double page spread from offset printed magazine (Artforum (New York) vol. Shown alongside collected ephemera from the era is Smile, 1974, a bronze cast of the double-headed dildo that Benglis brandished in her Artforum ad that year, notoriously defying conventions of gender, propriety and genre. PDF. © 2021 Vox Media, LLC. Download Free PDF. These dual versions of the artist talk throughout the film, while the artist's voice can be heard in an additional voiceover. Lynda Benglis was born in 1941, a remarkable figure of American Feminist Art and Post-Minimalism. I was glad to hear that she was in agreement. Lynda Benglis resides in New York, Santa Fe and Ahmedabad, India. The old biology and business byword is just as true of art, and in the endgame practices of abstract painting in 1960s America, one artist, a young Louisiana transplant named Lynda Benglis, jettisoned the canvas—or any concept of a stabilizing vertical support—and began to experiment with pouring color directly onto the floor. In addition to sculpture, Benglis works in video and photography, and has used media interventions (such as a well known ad placed in Artforum in 1974, showing the artist nude with a dildo between her legs) to explore notions of power and gender relations. I don’t think so, as it was, after all, an artist’s forum, wasn’t it?! Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York and Santa Fe. You’ve called the Artforum image a “centerfold.” Was it directed explicitly at the use of women’s bodies in magazines?I realized the old-fashioned pinup that I did was not clear, as I overheard a woman coming into Paula Cooper’s gallery saying, “Who did that to her?” So I wanted an image that “looked back at you” … ! Description: Lynda Benglis Lagniappe I 1978 cast pigmented paper, acrylic, sparkles, polypropylene 52 h × 26 w × 11 d in (132 × 66 × 28 cm) Signed, titled and dated to verso 'Lynda Benglis 1978 Proof Lagniappe Series'. Here, the artist speaks with Bard’s Tom Eccles about the life of that confrontational image. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. Krauss became dissatisfied with Artforum when in its November 1974 issue it published a full-page advertisement by featuring the artist Lynda Benglis aggressively posed with a large latex dildo and wearing only a pair of sunglasses promoting an upcoming exhibition of hers at the Paula Cooper Gallery. 13, no. The prolific interviewer worked on his Ora TV series up until his death. American Sculptor, Painter, Conceptual and Performance Artist, This work is around 30ft long and dates from a breakthrough period in Benglis's career. The validity of much of her work was questioned until the 1980s due to its use of sensuality and physicality. What were you thinking at the time? The pioneering artist, who came to attention with her poured-latex … Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Lynda Benglis was about to turn 33, and she wanted her nude self-portrait to run alongside a feature article about her by Robert Pincus-Witten in the November 1974 issue of Artforum. “Her extroversion is so extreme that her story leaps from the vacuum around her, over the camera and off the screen entirely.” After being refused editorial space in Artforum, an eminent art magazine, the enraged Benglis paid for an advertisement that consisted of a full-page photograph of herself, nude except sunglasses, and masturbating with an oversized double-ended dildo. In eliminating the canvas, Benglis blurred the boundaries between the two previously separate traditions of painting and sculpture. Big Tip/Back Up/Shout Out is a direct monologue to the camera about the economic impossibilities of being an artist, especially as a woman. Broadcasting Legend Larry King Is Dead at 87. Download Full PDF Package. Download PDF. The 17-year-old rainbow-lover officially came out as gay, confirming fans’ suspicions. Following graduation, she taught third grade at Jefferson Parish, in Louisiana. Currently she lives and works between New York, Santa Fe, Greece, and India. The advertisement was in part a response to an earlier ad by her friend, Robert Morris, who featured an equally sensational image: himself, naked from the waist up, bound in S&M regalia. https://www.nytimes.com/2009/07/25/arts/design/25benglis.html Eridanus, a knot-like form, hovers over the surface of the wall with the apparent lightness of a paper flower. A short summary of this paper. The artist's active, even hostile stance, cropped hair, and of course, her penis, do not conform to the conventional guidelines of heterosexual eroticism, some feminists felt she was too willing to make a joke out of deep divisions in the art world, capitalizing on the attractiveness of her own spectacular body. A major exhibition presented by Cheim & Read and Ortuzar Projects brings together work that proved crucial to the development of Lynda Benglis’s practice during her first decade in New York. One of a series of works named after letters of the Greek alphabet, Psi is a sculptural knot made from various materials. Aluminum, cotton bunting, plaster, silver paint, enamel, and "sparkles" - Cheim and Read Gallery, New York. At one point Benglis French-kisses her double inside the monitor. Lead is characteristically hard and heavy, properties that are at odds with the malleability of the polyurethane sculpture on which this is based. The series ended with a very controversial advertisement in the November 1974 Artforum issue. See available sculpture, prints and multiples, and paintings for sale and learn about the artist. Biography. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. From the 1960s onwards, Benglis’ work has engaged with both the physicality and process of material-based practices while simultaneously confronting femininity in the context of a male-dominated art world. Prior to this (in April 1974), you had just used, as an exhibition announcement for a show at Paula Cooper Gallery, an Annie Liebovitz photograph of yourself in Betty Grable pose wearing jeans dropped to your ankles. The overall effect is disorienting, yet sensuous, beckoning the viewer into the self-referential world of the video. These oozing, biomorphic forms melted hierarchies and distinctions. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. Museum of Contemporary Art, Los Angeles, library collection. ©2021 The Art Story Foundation. Lynda Benglis is an American sculptor and visual artist, considered as a pioneer of a form of abstraction in which each work is the result of materials in action, creating sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body.. Lynda Benglis was born in Lake Charles, Louisiana in 1941. What Could JoJo Siwa’s “Born This Way” TikTok Possibly Mean? The resulting forms were both painterly and sculptural. The 2009–2011 traveling retrospective Lynda Benglis visited six venues in Europe and the United States, including the Museum of Contemporary Art, Los Angeles and the New Museum, New York. Locks Gallery "Lynda Benglis: Everything Flows (1980-2013)" encouraged viewers to think of the artist's imposing metalized pleat pieces and intimately scaled ceramic sculptures as closely related bodies of work, despite their significant formal discrepancies. It was her way of protesting the macho male monopoly of the art scene of the times. Lynda Benglis Several decades ago, Lynda Benglis achieved fame and notoriety by placing a full-color ad in ArtForum that consisted of a photograph of herself nude except for a large strap-on dildo. From the 1960s onwards, Benglis’ work has engaged with both the physicality and process of material-based practices while simultaneously confronting femininity in the context of a male-dominated art world. It certainly does.I never called that image a “centerfold.” I did want a centerfold, as it was my intention to do it basically folded out from the center. The artist poured latex rubber pigment in brightly-colored hues onto the floor of her studio. In the December 1974 issue of Artforum, five editors published and co-signed a letter “publically disassociating” themselves from portions of the previous issue. In 1974, Lynda Benglis ran an advertisement in Artforum that caused five editors to protest and pack up: she photographed herself naked, taught and oiled, defiantly wielding a … Forty years ago this month, Lynda Benglis published what is certainly the most famous advertisement in Artforum history. 'In the Realm of the Senses', her exhibition at the Museum of Cycladic Art, Athens, Greece, commissioned by NEON, is on view until 15 March. The momentum inherent in its never-ending form takes the eye on an endless journey. and is made of bronze, nickel, and chrome. ", "now? Lynda Benglis (born 1941, Lake Charles, Louisiana) was first recognized in the late sixties with her poured latex and foam works. In this and other related works, Benglis mixed bright, DayGlo pigments into cans of the latex and then poured the material onto waxed linoleum or directly onto the floor, allowing the substance to be itself, subject to physical laws and gravity. For 7,500 (vaccinated) health-care workers. Did you expect that reaction?I felt I had set a trap for them. Lynda Benglis achieved early and lasting notoriety when she appeared in the November 1974 edition of Artforum magazine wearing nothing but a pair of cat’s eye sunglasses and gripping an enormous dildo. Video (Color, Sound) - Museum of Modern Art. What were you reading at the time?With regards to reading art criticism I was more interested — and still am — in meeting people directly to discuss ideas. Lynda Benglis: Early Work 1967-1979. Although Lynda Benglis: Water Sources (Storm King Art Center, May 16–November 8, 2015) centered around a selection of her fountains, all of the featured works highlighted the notion of fluidity, with its implicit sense of ebb and flow, a dynamic that applies as much to cultural epochs as to the natural world. Memory is as important to the work of Lynda Benglis as any of her artistic materials, including the globular polyurethane foam and wax for which she is perhaps best known. It was the ultimate F--- you to the art world, and one that became so famous it has often eclipsed the rest of her art. All rights reserved. [Internet]. Lynda Benglis (b. She is the recipient of a Guggenheim Fellowship and two National Endowment for the Arts grants, among other commendations. Lynda Benglis Pours One Out As major exhibitions at Nasher Sculpture Center, National Gallery of Art and the Museum of Cycladic Art honour the iconoclastic sculptor, novelist Hermione Hoby … All the Live Events, Movie Releases, and Productions Affected by the Coronavirus, Here Are All the Movies Delayed Because of the Coronavirus. This work is an artist's proof aside from the edition of 26 unique works published by Paula Cooper Gallery, New York. Lynda Benglis is an American sculptor and visual artist, considered as a pioneer of a form of abstraction in which each work is the result of materials in action, creating sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body.. Lynda Benglis was born in Lake Charles, Louisiana in 1941. Here the use of glitter, a distinctly "girlish" material, invites the viewer to consider the work from a gendered perspective, but is simultaneously confrontational about why the viewer makes assumptions about the gendering of the material in the first place. She took on the rules of the art world with her infamous 1974 Artforum ad, which interrogated the lack of attention paid to work by women artists. Three concurrent exhibitions will be … The times were right, and it was a study for that time. This paper. Like Now (1973), Benglis' film of the same year, it is self-referential, self-contained, and apparently infinite. Her early work used materials such as beeswax before moving on to large polyurethane pieces in the 1970s and later to gold-leaf, zinc, and aluminum. From Benglis's crotch extends a long and meticulously detailed dildo, held in place with her right hand. Already a subscriber? Benglis's work is noted for an unusual blend of organic imagery and confrontation with newer media incorporating influences such as Barnett Newman and Andy Warhol. As Richard Meyer has put it, what was particularly shocking about the image was "its refusal to fall comfortably into either a feminist critique of pornography or a pornographic critique of feminism". However, I then learned that Pincus-Witten was doing an article on my work and the editor was planning to place a metallized knot on the cover. Lynda Benglis was a visiting artist at CalArts in 1973 when she encouraged then-student Susan Mogul to explore video as a medium. These oozing, biomorphic forms melted hierarchies and distinctions. Miley Cyrus to Headline ‘TikTok Tailgate’ Before Super Bowl LV. PDF. She takes the process a step further, making a sculpture out of paint. The screen shows the artist standing in front of a monitor, viewing another recording of herself inside it. In 1974, Lynda Benglis ran an advertisement in Artforum that caused five editors to protest and pack up: she photographed herself naked, taught and oiled, defiantly wielding a … How did you react to Krauss and others leaving Artforum to establish October, a publication that rejected both advertisements and glossy imagery? Here as in Psi, Greek culture is a source of inspiration - Eridanus is a mythological river. They were out of another century. Amy Tobin. In 1968, she began pouring latex or polyurethane foam onto the floor of her studio and into the corners. Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York and Santa Fe. In eliminating the canvas, Benglis blurred the boundaries between the two previously separate traditions of painting and sculpture. 3 (November 1974), pp. Its twisting shapes are heavily reminiscent of organs or intestines. Lynda Benglis, Now, 1973, The Metropolitan Museum of Art, New York, USA. In her choice and manipulation of materials, she remained focused on the tension between masculine and feminine characteristics, using metal (a traditionally masculine substance) to evoke ribbon, associated with frilly femininity. Ingrid Sischy later changed the format, saying that it was because of this issue. Obviously much critical discussion subsequently has focused on the male “gaze.” Was that a primary concern?There was no one reason that I made the image. Seems like a hard ask during quarantine, but we’ll keep our eyes peeled. Lynda Benglis is an artist based in New York, USA, East Hampton, USA, Santa Fe, USA, Walla Walla, USA, Ahmedabad, India, and Kastellorizo, Greece. In recasting this work in lead, she undermined her own earlier use of materials, calling into question the nature of hard and soft, and alerting us to the changing nature of her process. Like Pat Steir (Just Looking, Feb. 18, 2010), the artist whose show preceded hers at the Rhode Island School of Design Museum, Lynda Benglis is a creature of the Post-Minimal 1970s.She is probably best known (or notorious) for the full-page ad she took out in a 1974 issue of Artforum in which she posed entirely naked wearing sunglasses and holding a phallus between her legs. PDF. The resulting form is sculptural; it is meant to be exhibited on the floor, and takes up a significant portion of the space in which the work is exhibited. This work, cast in lead in 1975, was based on an earlier composition created in Benglis' studio. Since the 1960s, Lynda Benglis’ work has subverted prevailing ideologies about art, sculpture and their classification. It was a self-sufficient artwork. First of all, he’s got some sort of gigantic magical axe. Throughout the film, these three different versions of the artist shout instructions and questions, such as: "now! Lynda Benglis: Early Work 1967-1979. The 40 Best Horror Movies on Amazon Prime, Seth Rogen Logged On to Do Pottery and Hold Ted Cruz Accountable, Kodak Black Releases Track with Lyrics About Trump Commuting His Sentence. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. 13, no. In 1969, Lynda Benglis began to experiment with pouring liquid rubber latex to make large-scale works such as Contraband. If so, what were you saying about Artforum or the art system at large?Was I aiming to say something about the magazine? She reinvented art forms as a pioneer creating sculptures out of paint, melted wax, and latex, thus blurring the boundaries between painting and sculpture. Lynda Benglis [Photograph by Arthur Gordon], Artforum Advertisement: [Artforum Piece], 1974, Double page spread from offset printed magazine (Artforum (New York) vol. Lynda Benglisis an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. Many are sharing their best King clips on Twitter. A … LYNDA BENGLIS’ THE GRACES: THINKING ART AND FEMINISM AT THE HEPWORTH WAKEFIELD. In addition to sculpture, Benglis works in video and photography, and has used media interventions (such as a well known ad placed in Artforum in 1974, showing the artist nude with a dildo between her legs) to explore notions of power and gender relations. Three concurrent exhibitions will be … Like the Abstract Expressionists, she welcomed the unpredictability of this process. Lynda Benglis’s portrait of herself scandalized not because it supplanted the phallus but because it ridiculed it. She earned a BFA in 1964 from Newcomb College in New Orleans, which was then the women's college of Tulane University, where she studied ceramics and painting. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. I always thought the image would have made the perfect cover. In this and other related works, Benglis mixed bright, DayGlo pigments into cans of the latex and then poured the material onto waxed linoleum or directly onto the floor, allowing the substance to be itself, subject to physical laws and gravity. The work proved incendiary at Artforum both among editors and readers. Lynda Benglis' 1986 minimalist sculpture, "Minerva," measures 55 x 38 x 8 ins. Lynda Benglis Several decades ago, Lynda Benglis achieved fame and notoriety by placing a full-color ad in ArtForum that consisted of a photograph of herself nude except for a large strap-on dildo. Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. You\'ll receive the next newsletter in your inbox. Lynda Benglis Is Back — Knots, Pours, Dildos, and All The patron saint of provocation is back with "Early Work 1967-79", her first major New York … Lynda Benglis’s portrait of herself scandalized not because it supplanted the phallus but because it ridiculed it. Log in or link your magazine subscription, Amanda Gorman Geeking Out Over James Corden Won Late Night This Week. A reaction to the phallocentrism of the contemporary art world, it certainly caused a stir. How did you respond to criticism from editors including Rosalind Krauss and Annette Michelson that the work was an “object of extreme vulgarity” and a “shabby mockery” of the women’s liberation movement?I did not care one way or the other; perhaps I thought it was funny that the reaction was so strong. In the December 1974 issue of Artforum, five editors published and co-signed a letter “publically disassociating” themselves from portions of the previous issue. Why was the context of Artforum important to you at the time? Career Founding October. Asked to summarize her artistic ambitions in the 1960s, Lynda Benglis replied, “I wasn’t breaking away from painting but trying to redefine what it was.” 1 She was raised in Louisiana and moved to New York in 1964, where she trained as a painter in the Abstract Expressionist vein. (1976) As Krauss acknowledged, Benglis had broken new ground in examining how the artist's voice and image might act as subject, object, and raw material for the artwork. and is made of bronze, nickel, and chrome. These lighter, wall-mounted pieces resemble knots or folded ribbons, a significant departure from her earthbound pieces. Both images were intended to highlight the absurdity of the sort of hyper-masculinity that dominated the art world. For feminist scholar and art historian Amelia Jones, Fallen Painting is about "the depravity of the fallen woman", and resembles a "prone victim of phallic male desire. In the 1980s Benglis continued to work with metal, but added wire, zinc, corrugated aluminium and other lighter materials that could be folded, bent, or twisted. It was the inspiration for Rosalind Krauss' seminal essay on video art, 'Video: The Aesthetics of Narcissism.' Latex, p… The series ended with a very controversial advertisement in the November 1974 Artforum issue. In addition to sculpture, Benglis works in video and photography, and has used media interventions (such as a well known ad placed in Artforum in 1974, showing the artist nude with a dildo between her legs) to explore notions of power and gender relations. 3-4), 10 3/4 x 12 1/2 in. "Lynda Benglis Artist Overview and Analysis". Summary of Lynda Benglis Though best-described as a sculptor, Lynda Benglis is impossible to align with a single movement or medium. 1941) first solo presentation with the gallery. Unlike conventional oil or acrylic paint, the rubber remained in the shape of the artist's spill, preserving her gesture, and needed no canvas. In the same Artforum issue, her sometime video collaborator, the artist and writer Robert Morris, appeared topless in chains – but it was Benglis’s … Lynda Benglis Is Back — Knots, Pours, Dildos, and All The patron saint of provocation is back with "Early Work 1967-79", her first major New York … The bottom and two sides are essentially a cast of the space created by the walls and floor. It was her way of protesting the macho male monopoly of the art scene of the times. Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. If you are a young or emergent artist working today, there’s a pretty good chance you hadn’t even been born when Lynda Benglis published her … In seeking to minimize her control over the work, her process is aligned with that of action painters (Pollock, for example, or Helen Frankenthaler, who put their canvases directly on the floor and dripped or poured the paint directly over it). Lynda Benglis is perhaps best-known for the full-colour advertisement she placed in Artforum magazine in 1974, consisting of a nude photograph of herself posing with a large latex dildo. A pioneer of post-minimalism, feminist, and video art, Lynda Benglis rose to prominence in the early 1970s, and has since become known for her aggressively confrontational challenges to accepted social and aesthetic dogmas. Beginning with her poured latex ‘floor paintings,’ and her layered wax pieces, Benglis pursued pure form, putting her at the forefront of New York Post-Minimalism. In the earlier sculpture, she used her signature technique: pouring polyurethane into the corner of her studio, and allowing the effects of gravity to shape the slowly hardening substance, forming its sloping, rounded edges. This whole episode is really about Siegfried and his moral compass, which is the Greenwich Mean Time of moral compasses. Graduation, she welcomed the unpredictability of this issue and India Sischy later the! Early work 1967-1979 miley Cyrus to Headline ‘ TikTok Tailgate ’ before Super LV. Forms melted hierarchies and distinctions the pinup of paint State University in Lake Charles, Louisiana, in Louisiana Benglis!, 1973, the latest news, and chrome advertisement in Artforum history an `` extraordinary operation! Sparkles '' - Cheim and Read Gallery, New York hierarchies and distinctions rainbow-lover officially came Out as gay confirming... Hear that she was in agreement is self-referential, self-contained, and foam she making. 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