As well as being a ferocious riposte to macho culture, the photo was a send-up of the wild personalities artists were expected to project. Like the mermaid, it’s a hybrid. It went back and forth. LYNDA BENGLIS: I think the only time I went to your house for a little get-together, I thought my Porsche was a bumper car. As they said, they’ve both been working long enough to know where to find their sources of inspiration-and know when they’re on to something right. In an art world dominated by men, she made a dazzling ascent, staging 15 solo shows in five years. In 1967, Ed Ruscha had been photographed in bed with two women in an Artforum ad. ‘When my father saw my work, he just walked out’ … Benglis’s photos at Frieze Masters, including her provocative Artforum ad and her portrait by Annie Leibowitz. I pigmented each pour separately, making these piles in the corner, around the corners, up the wall in a wing. American, born 1941. Lynda Benglis, Hills and Clouds, 2014, cast polyurethane with phosphorescence and stainless steel, 3.1 × 5.5 × 5.5 m. Photograph: Jerry L. Thompson Photograph: Jerry L. Thompson In 2014, to mark the 40th anniversary of the image’s publication, New York magazine asked 25 female artists to comment. I got that dildo up on 42nd Street. 061 LYNDA BENGLIS, Hyades, 1982 (Bronzedraht, Zink, Kupfer, Aluminium, 41 x 33 x 17", Paula Cooper, Foto eeva-inkeri) KUNSTFORUM Probe lesen „Kunstforum ist … That’s because I didn’t want to see any other buildings close to me. “Why don’t you go to Germany where you belong?” She didn’t know that I was a Southern girl from Louisiana. Do you still have your place out in New Mexico? Benglis (b. in 1941, Lake Charles, Louisiana) was the first artist to make sculptures out of paint, removing … And just three years ago, on the ad’s 40th anniversary, 26 artists screamed its praises in New York magazine. [laughs] I am interested in what’s going on in the art world, but I find, at this point in my life, I’m not usually influenced so much by something out there. They actually proposed I do a piece for them. This past January, Benglis spoke to her good friend and onetime CalArts colleague, the artist John Baldessari. By Andy Campbell. But it wasn’t functioning as a fountain. . Cindy Sherman, the 1980s queen of gender role-play and Benglis’s former student, said it shifted her thinking (“she kicked ass!”). That’s kind of a painter’s thing, a surface thing. LYNDA BENGLIS. A polarising figure within the women’s movement of the time, she made videos and self-portraits that are as button-pushing as ever. I started out as a painter. Installation view, Irish Museum of Modern Art, Dublin. (Unknown). With bases in New York, Santa Fe, Kastellorizo in Greece and Ahmedabad in India, she’s flown into London to oversee a special presentation of her work at. Andy Warhol’s Interview. Born Lake Charles, Louisiana born Lake Charles, LA 1941 Active in. BALDESSARI: That’s important because Paula Cooper, as far as I was concerned, was the place you look at paintings. It’s called “The Forever Now: Contemporary Painting in an Atemporal World.” Your comments would be interesting because they are billing it as new directions in painting. It was just an on-the-floor project. The knowingly tacky-but-gorgeous swooshes of fabric in gold leaf and the scrunched aluminium wall sculptures she made in the 1990s suggest mermaid tails – although discarded sweet wrappers also come to mind. Administration. -Christopher Bollen. As she arrives in Britain for Frieze Masters, we meet the radical prankster, Last modified on Thu 26 Mar 2020 10.33 EDT. Mary Lovelace O’Neal interviewed by Suzanne Jackson in Bomb magazine Winter 2021. Throughout the video, Benglis asks "Now?" We get the pulp, we make the pulp into paper sheets, and then I make some forms, and I stretch paper over the forms. Biographical / Historical. I’d walk into the space and see all these nice fabrics and doors. Lynda Benglis. Had Pollock been alive, I would have met him. But, to be honest, I haven’t seen much interesting stuff going up. Download PDF. BENGLIS: Well, that’s good because then we can keep doing what we like to do. 1981 brass and copper Female Sensibility. BALDESSARI: That ad probably sold more Artforums that month than any prior. From pigmented latex to beeswax, metals, polyurethane foam, glass and paper, American sculptor Lynda Benglis, … Lynda Benglis. From pigmented latex to beeswax, metals, polyurethane foam, glass and paper, American sculptor Lynda … In this interview, Benglis discusses her early work, the influence of varied landscapes on her sculptural forms and choice of materials, and the interest in water and flow that she has explored throughout her career. This is the case of Lynda Benglis, an artist who found new methods to create beautiful sculptures and who made a strong statement as a feminist in art history. My gallery there was Galerie Hans-Jürgen Müller, and he had borrowed some of the poured, semiflexible pieces, but then I wanted to do an in situ exhibition of foam works. The latex paint was pigmented, and I soon moved into using foam, because the latex was flat and didn’t look back at you, so to speak. when I look back at work I’ve made in the past, it’s as if I’m visiting another time, another place, and sometimes another artist. Both sisters do, really. It’s exciting to have it up. Life magazine crowned her as “the heir to Jackson Pollock” in 1971. View Collection Locations Archival Resources. But then I feel like I’m always racing for time. The old biology and business byword is just as true of art, and in the endgame practices of abstract painting in 1960s America, one artist, a young Louisiana transplant named Lynda Benglis, jettisoned the canvas—or any concept of a stabilizing vertical support—and began to experiment with pouring color directly onto the floor. It was basically lost for decades to the public. Works by This Artist (2 items) Maquette for Nalia. In this interview, Lynda Benglis discusses the retrospective, the Whitney show she was forced to withdraw from and the final resolution on her first fountain work, The Wave of the World. Born in 1941 to a Greek father and American mother in the sleepy Louisiana town of Lake Charles, Benglis earned her first degree at the women’s college of Newcomb in New Orleans, where she focused on ceramics. But Benglis, ever the material experimenter, was a free-floating radical. Then, when I met her at the artist opening and was all excited to get it over and done with, she asked me to set up… Every artist does a self-portrait at one period. Conceptual art and process art totally mystified—and tantalized—me. BALDESSARI: That’s well said. BENGLIS: I long for you to do some paintings, John, because I love that mosquito. So it will be on display again as a working fountain. I had the dildo from the Artforum piece hanging in the shower. “I deliberately set up situations with various ideas and materials that no one had done before,” she says matter-of-factly, from behind dark glasses with white rims. BENGLIS: Yes, outside of Santa Fe in the desert, and I love it. And jumping forward to today, I know how much of an influence you are for younger artists. It was being stored in a pile of rubble that wasn’t intended to be thrown away. In certain respects, without Benglis’s influence, it is hard to imagine the careers or artists as diverse as Cindy Sherman and Rachel Harrison—many artists owe something to her deft, idiosyncratic fusion of formal and social concerns. There were none with women being empowered. HE CURRENT HAS A SOLO SHOW AT MARIAN GOODMAN GALLERY IN LONDON, AND IN NOVEMBER WILL DEBUT NEW WORKS AT STADEL MUSEUM IN FRANKFURT. Future generations proved more attuned to her work’s radical prankster spirit. He showed those downtown. And that’s really unhealthy. and "Do you wish to direct me?" I was very involved in the sort of Greenbergian mess, and I was involved in taking on some of the things that I felt Pollock would have done. Lynda Benglis: ‘I think artists create their own rules’ Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by posing nude with a giant dildo, talks about her new show at Hepworth Wakefield and breaking rules. 6 February – 1 July 2015. Lynda Benglis: I studied both for a long time, especially pinups. I’ve always been excessive when it comes to spending on that. Die Redaktion bat die Künstlerin zunächst um ein Porträt-Foto, um einen Artikel über ihre Arbeit zu illustrieren. Titel: ... Foto: Wolfgang Vollmer Bd. There seemed to be no pinups unless they were essentially the object of the male gaze, so to speak. Interview with Lynda Benglis at the Hepworth Wakefield 16/02/15. Worin siehst du deine Aufgabe als Künstler? Lynda Benglis is a feminist icon. Also, in May, the Storm King Art Center in upstate New York will show a survey of the artist’s outdoor and indoor sculptures, many of them fountains. They were showing your poured pieces. American artist Lynda Benglis is best known for her wax paintings, poured latex sculptures and for posing naked with a giant dildo in Art Forum magazine to advertise a show. I think about money now only when I buy things that I need for the art. Lynda Benglis (* 25. “Pollock, Helen Frankenthaler and Morris Louis were dealing with a contained space, but I wanted to be relatively boundless in form and format.” Soon she was expanding into foam sculpture, creating them in situ in galleries, or casting them in aluminium and having them jut out of the wall like wings. . Lynda Benglis was responsible for some of the most important images in the art of the late 20th century. Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. And that constellation occupies Jackson Pollock and Robert Ryman, and there was a young artist in Germany, Rosemarie Trockel, too, who did knitting. Thick with sparkles, they’re positively girly and camp. Even if it weren’t for the huge, double-ended dildo between her legs, her expression is enough to freeze you in your tracks. But, in those days, you could have a loft in New York for $75. LYNDA BENGLIS. My father, when I showed him, he just walked out. But, in fact, I did go to Germany to do a installation there not long after. That’s not a great feeling, but it’s a great feeling to be in my studio, I have to say. BALDESSARI: You’ve been working on a series of paper forms. I thought, “What chutzpah.” [laughs] I have often wondered why you don’t draw more. In the beginning, I poured onto polyethylene and linoleum, and I had to get it out of my studio—I had a small studio on Baxter Street, down from the police station and across from a school playground. And there was a lady working in the building, and she was appalled. Interview. Episode #163: Filmed in 2011, artist Lynda Benglis gives a tour of the family home of Anand Sarabhai in Ahmedabad, India, a city she has been visiting and working in for over thirty years. Everything I do, I always want to be beyond that. I spent two days hanging around at MOCA, waiting for her to show up. I’m not even aware of my body.”, Frieze Masters 2017 review – 'You want sex? Never mentioned it again. BALDESSARI: Well, that’s a new one to me. Biographical / Historical. Descubra todo lo que Scribd tiene para ofrecer, incluyendo libros y audiolibros de importantes editoriales. Judy Chicago then posed with boxing gloves, ready to take on the boy’s club. Throughout the 73-year-old artist’s career, Benglis has made painterly sculpture, or sculptural painting, or perhaps it’s simply Benglisian forms: works that range in material—fabric, wire mesh, bronze, steel, cast aluminum, polyurethane, beeswax, phosphorescence, glitter, handmade paper—but always carry the process of their creation on their surfaces. It’s A horrible feeling to see your own death ahead of you. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. I remember when I was working as a waitress in New York at the Black Cat Bar. How to be an Artist by Jerry Saltz, the American art critic, is decorated with endorsements from the likes of Grayson Perry (‘I wish I had read these rules forty years ago and carried them around like a bible’) and Tracey Emin (‘most of the time [being an artist] hurts.This book will help the pain’). Here, Benglis shares key episodes from her life. Hygiene ist ein Kampfbegriff. I’m making sort of hybrid situations. She was quite beautiful and quite shy. 140 LYNDA BENGLIS, Contraband, 1969, im HIntergrund: untitled (VW), 1970. Benglis, today, is still working and experimenting—in New York City (she was recently working on Crescendo, a new version of her 1984 World’s Fair fountain, The Wave of the World, at Modern Art Foundry in Queens), in the Hamptons, in New Mexico, in Ahmedabad, India, among other places. 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